5x03 - Memories from a Faraway Past

[Prue Brianna Johnna Halliwell]

DESTINED

'MEMORIES FROM A FARAWAY PAST'

TEASER

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ATTIC - UNKNOWN TIME OF THE DAY (INSIDE DREAM)

Chris flies across the room and smashes into a table.

BIANCA

You promised you wouldn't hurt him.

WYATT

You promised you'd turn him. It's like I turned you, or at least I thought I had.

Bianca runs over to Chris.

BIANCA

Chris, please, I didn't bring you here to die.

CHRIS

Don't worry, I know what I'm doing. 

Wyatt steps on the squeaky floorboard.

CHRIS (CONT'D)

I think.

Chris runs towards Wyatt and Wyatt grabs him and throws him across the room.

WYATT

Have you lost your mind? 

Wyatt levitates Chris into the air.

WYATT (CONT'D)

I don't need you.

Wyatt creates an energy ball. Bianca runs behind Wyatt and reaches into his back. Chris drops to the floor.

BIANCA

Whatever you're gonna do, do it fast. I can't hold him for long.

Chris races over to the squeaky floorboard and pulls it up. He gets out the spell.

CHRIS

(chanting)

"Powers of witches rise,

come to me across the skies,

return my magic,

give me back,

all those taken from the attack." 

A blue light washes over Chris. Wyatt turns around and kicks Bianca. She lands on a broken table leg.

CHRIS (CONT'D)

No! 

Chris waves his arm and Wyatt is thrown across the room. Chris rushes to Bianca's side.

CHRIS (CONT'D)

Bianca. No, no, no, no.

BIANCA

(painfully) 

Haven't we been here before?

CHRIS

Maybe we will be again.

BIANCA

Maybe.

CHRIS

No.

Bianca hands her engagement ring back to Chris.

BIANCA

If you can finish what we started... 

(Wyatt groans)

Hurry. Take the spell so he can't send anyone else. Go.

Chris runs over to the Book of Shadows. Wyatt gets up.

CHRIS

(chanting)

‘Hear these words,

hear the rhyme,

heed the hope within my mind...’

Wyatt throws an energy ball towards Chris and he ducks.

CHRIS (CONT'D)

(chanting)

‘Send me back to where I'll find,

what I wish in place and time.’

The portal opens and Chris runs into it.

AND IT ALL BECOMES A BLUR.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ BEDROOM - NIGHT

ON CHRIS EYE’S - The pop open.

Not light in the room. Chris, who was asleep, gets into a sitting position. He breaths fast.

Ella, who was lying beside him, wakes up.

ELLA

Chris?

She sits beside him and tries to calm him down.

ELLA (CONT'D)

Are you okay?

CHRIS

(breaths fast)

It was a nightmare.

ELLA

Again?

Chris takes his hand to his chest has if he feels some pain in it.

ELLA (CONT'D)

Chris, you’re worrying me.

SOUND - A knock on the door.

ELLA (CONT'D)

Come in.

The door opens and Wyatt comes in wearing only the pants of his pajamas.

WYATT

Hey! What’s going on?

Chris looks at Wyatt with his eyes wide open.

ELLA

Chris just had a nightmare.

WYATT

Again?

Ella nods.

WYATT (CONT'D)

What nightmares are those?

CHRIS

Nothing important.

ELLA

I would call it very important. Chris, that’s been happening for the past days.

CHRIS

I know, but I will be okay.

(to Wyatt)

Get back to your room, Wyatt. I’ll be okay.

Wyatt nods. Then he turns around and leaves closing the door behind him.

ELLA

(to Chris)

Are you sure you are okay?

CHRIS

(calmer)

Yeah, honey.

Chris kisses her forehead.

CHRIS (CONT'D)

Get back to sleep.

Ella nods and kisses his lips. Then she lays back down. Chris lays back again, but keeps her eyes opened. He is thoughtful.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

Jessica is on the bed leaning against the headboard.

OFF TO THE DOOR - It opens and Wyatt comes in.

Jessica looks at him.

JESSICA

What took you so long?

WYATT

I went to the kitchen. I told you.

(pauses)

On my way here, I heard voices from Chris’ bedroom and went to check on them. Chris had another nightmare.

Wyatt gets on the bed.

WYATT (CONT'D)

I’m worried about him.

JESSICA

He’ll be fine. Besides, he has Ella to worry about him.

Jessica starts massaging Wyatt’s back.

WYATT

What are you doing?

JESSICA

You know exactly what I’m doing, honey.

WYATT

Jess, I’m not ---

JESSICA

In the mood?

Jessica sits straight. Wyatt looks at her.

WYATT

I’m sorry, okay?

JESSICA

For not wanting to be with me?

WYATT

It never happened to me, Jess. I’m sure it’s just a phase. Work is in my mind and is taking all my focus.

JESSICA

Are you sure it’s just work?

Wyatt doesn’t understand what she means.

WYATT

I’m not willing to fight, Jess.

JESSICA

Yeah, it seems like you are not willing anything with me.

Jessica, mad, turns and lays on the bed. Wyatt takes a deep breath and then lays down on the bed as well.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Webster as Coop

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Special Guest Starring

Sol Esteves as Melinoe

Shannen Doherty as Prudence Halliwell

Ted King as Andy Trudeau


Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Robbie Kay as Alex

Dove Cameron as Michaela

Nikolaj Coster Waldau as Omega

Ming-Na Wen as Sigma

Peter Facinelli as Sebastian

Chris Wood as Ethan

Emilie de Ravin as Blanche

Katie McGrath as Ruby

Jason George The Librarian

Kaya Scodelario as Angel of Death

Jacob Tremblay as 11 Years Old Matt

Mckenna Grace as 11 Years Old Christina

Linda Blair as Elsa Matters

John Barrowman as Christopher

Jared Gilmore as Allen Trudeau

Samuel Joslin as A.J. Trudeau

Unknown baby as Baby Andrew

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT TURNING INTO DAY

The moon disappears from the sky as the sun rises and shines brightly.

FAST MOTION FOOTAGE at the sound of ‘Hurts to be Human’ by Pink ft. Khalid.

CUT TO:

EXT. PRUE’S CONDO - DAY

MUSIC KEEPS PLAYING ON THE BACKGROUND.

Several cars pass by.

CUT TO:

INT. PRUE’S CONDO - KITCHEN AREA / HALL - DAY

MUSIC KEEPS PLAYING ON THE BACKGROUND.

ON THE COUNTER - Breakfast is served. A very rich breakfast.

Bianca can be seen preparing breakfast. She seems to do it happily.

OFF TO PRUE AND NATE - Both come from the bedroom and stop as they look at her.

Bianca doesn’t notice them as they watch her. Both of them smile. Then, they both walk toward the counter and sit by it. that’s when Bianca notices them. She jumps, once she wasn’t waiting for them.

MUSIC FADES OFF.

BIANCA

Oh, hey!

NATE

I believe we could hire you to work here instead of P3.

Bianca smiles.

PRUE

You don’t need to do this, Bianca.

BIANCA

Are you kidding me? I love living a normal life. 

(shrugs)

All the time, I was kind of a loner and now ---

PRUE

Now, you’ve got us.

Bianca nods.

NATE

(to Prue)

Well, I don’t know if we have time to eat all this. We have an appointment with Dr. Dubois, remember?

Nates takes his cup of coffee.

PRUE

Yeah.

(to Bianca)

Jo will come to get you.

BIANCA

Prue, I don’t need to be protected like this.

PRUE

Siobhan is still out there and she wants to get to you.

NATE

Well, that Siobhan wants to get to you too.

Nate holds Prue’s hands and kisses it as he stares at her. She looks him back and both look at each other eye to eye.

NATE (CONT'D)

Yeah, I’ve heard.

PRUE

Nothing will happen to me, Nate. The girls’ force shield can protect me.

NATE

Yeah, I’m still not used to it. You’ve got not force shield when you were pregnant with Andrew.

Prue forces a smile.

NATE (CONT'D)

Speaking about Andrew ---

BIANCA

I’ve got his bottle and I’ll take care of him till Charlotte comes to get him to Magic School.

Nate looks at Prue and smiles at her.

NATE

We should hire her as our babysitter too. She also has a talent for babies.

Prue and Bianca smile.

NATE (CONT'D)

(to Prue)

Well, I need to get my wallet and then we can go.

Prue nods yes.

PRUE

Sure.

Nates stands and walks into the bedroom.

BIANCA

You guys seem okay.

PRUE

We are not okay. We are not married. But he is so patient.

(pauses)

Thank you for taking care of Andrew. As much as they say he is my son, I can’t feel it. You know?

Bianca nods. Prue gets thoughtful.

PRUE (CONT'D)

If it wasn’t for Jo, I would be dying to carry my Tina on my arms.

Prue sighs. Then she looks at Bianca.

PRUE (CONT'D)

The crying has stopped?

Bianca shakes her head.

BIANCA

No. It gets worse at night when in bed.

PRUE

And we aren't any closer to finding out Siobhan or a way to get out of this mess.

BIANCA

Well, you should now focus on your appointment. That hasn’t changed after all.

Prue smiles as she touches her belly. Then, she gets serious. Something pops into her mind.

PRUE

Dr. Dubois!

Bianca doesn’t understand her reaction.

PRUE (CONT'D)

Of course. She can help me.

BIANCA

How?

PRUE

She’s the White Witch!

Prue smiles big.

OFF TO NATE - He comes from the bedroom.

NATE

Let’s go, Prue.

Prue and Bianca look at him.

PRUE

We can beam there.

NATE

Oh, no. No magical issues, no magical means of transportation, remember?

(smiles)

I’m just using your own rules against you, darling.

Prue and Bianca exchange glances and smile. Then Prue turns to Nate.

PRUE

Fine, ---

(pauses)

--- darling.

Nate smiles. Then he approaches her, reaches out her hand for her to hold it. Prue looks at it and then at Nate. She smiles and holds his hand. She stands and both walk towards the door.

BIANCA

See you later. Don’t forget your cousin’s engagement party.

PRUE

We won’t.

NATE

Bye.

Prue and Nate leave. Bianca takes a deep breath.

BIANCA

I hope that Jo comes with an empty stomach.

SOUND - Baby crying.

At first, Bianca grimaces. Then she realizes the crying comes from Andrew.

BIANCA (CONT'D)

Oh, that one I can make stop crying.

Bianca walks into the main bedroom.

CUT TO:

EXT. WHITMORE MANOR - DAY

STOCK.

CUT TO:

INT. WHITMORE MANOR - DINING ROOM - DAY

Tamora is standing in front of the table. She is smiling.

OFF TO SEBASTIAN - He walks in and stops astonished.

SEBASTIAN

What’s all this?

ON THE TABLE - It’s full of canapés.

Tamora turns to Sebastian.

TAMORA

Are you forgetting what night is tonight?

SEBASTIAN

No, I haven’t, but this seems like we are feeding a bunch of people. Or are we getting married instead of engaged?

TAMORA

That would be a thought, but no, we are feeding our family and friends.

SEBASTIAN

And where am I going to take breakfast? Or should I head to the company with an empty stomach?

TAMORA

No, silly.

Tamora approaches him and kisses him.

TAMORA (CONT'D)

We are going out for breakfast. The catering staff is working on the kitchen. It’s big, but there’s no space for us to prepare breakfast.

SEBASTIAN

Catering staff?

Tamora nods.

TAMORA

Melinda hired them herself and that way, normal work doesn’t have to be paused at Halliwell's.

SEBASTIAN

That makes sense.

TAMORA

It does. Oh, and by the way, did you tell them ---

(she points up)

--- that charges and magical issues are not allowed tonight?

Sebastian smiles.

SEBASTIAN

Don’t worry. I’m a part-time Whitelighter remember?

Tamora smile. They kiss again.

SEBASTIAN (CONT'D)

Let’s go for breakfast. I’m starving.

TAMORA

For a Whitelighter, you eat a lot.

SEBASTIAN

That's one of the pleasures I don’t give up on.

Both smile and then, both of them walk out of the room.

CUT TO:

EXT. HALLIWELL MANOR - DAY

A car passes in front of the house.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

ON CHRIS - He is serious.

Chris is sitting by the table. He is serious with her glance far away from there.
Across him is Jessica reading the newspaper and glancing at him every now and then.

Ella approaches them and pours some tea into Chris’ teacup. She looks at him and seems worried.

ELLA

Take this, honey. It will help you.

Jessica glances at them and then closes the newspaper. Chris says nothing as his mind is kept far away.

JESSICA

Is he okay?

Ella looks at Jessica and shrugs.

ELLA

He hasn’t had a good night's sleep.

Ella puts the teapot on the table and sits beside Chris. She holds his hand and that seems to take Chris back to the now.

ELLA (CONT'D)

Honey!

CHRIS

Sorry, El. I was ---

ELLA

Why don’t you stay at home today and have some rest? You haven’t rest for the past days.

Chris forces a smile.

CHRIS

There’s a lot to be done, El. I can’t miss work.

ELLA

But you have no conditions.

OFF TO WYATT - He comes in.

WYATT

Morning.

Jessica and Ella look at him.

ELLA

Morning.

JESSICA

Morning, honey.

Wyatt goes to sit beside Jessica while both Chris and Jessica keep their eyes on Wyatt. Wyatt looks at Chris.

WYATT

Are you feeling okay?

Chris nods.

ELLA

He hasn’t had a good night's sleep lately. Can you dismiss him from work today, Wyatt?

WYATT

Of course.

CHRIS

I don’t need to. I can work.

(stands)

Actually ---

He takes all the tea at once and then puts the cup on the table.

CHRIS (CONT'D)

I must go now.

ELLA

But ---

He leans over Ella and kisses her softly on her lips and ORBS out. They all are astonished at Chris’ attitude.

WYATT

He didn’t even wait for me.

Jessica turns to Wyatt.

JESSICA

Well, I do mine El’s words.

Wyatt looks at her.

JESSICA (CONT'D)

You could stay at home as well and we could take care of that matter.

Ella looks at them and frowns.

ELLA

What matter?

JESSICA

The having a baby matter.

Ella raises her eyebrows.

ELLA

Well, that would make two of us. It’s taking so long for me to get pregnant. Chris is okay with that. He believes that it hasn’t happened because it’s not the time yet.

JESSICA

Well, it’s the time for me and Wyatt. And now that Wyatt hasn’t been able to ---

WYATT

Jess!

Wyatt stands mad.

WYATT (CONT'D)

Enough with that.

(pauses)

I’m heading to work now.

JESSICA

But you haven’t even had your breakfast.

WYATT

I think I lost my appetite.

And Wyatt ORBS out.

JESSICA

(mad)

WYATT!

He doesn’t come back. Jessica turns to Ella.

ELLA

What’s going on between the two of you lately? You’ve always been so passionate and lately, it seems like a black cloud has been pairing over you two.

JESSICA

And that black cloud has a name!

Ella shoots Jessica a look.

ELLA

What are you talking about, Jess?

Jessica looks at Ella seriously.

JESSICA

Prue.

Ella frowns.

ELLA

Prue?

JESSICA

Yes, that bitch!

Ella stands mad.

ELLA

Jess, that’s enough. Prue’s my friend. I don’t allow you to talk about her that way.

JESSICA

Don’t defend her, El.

ELLA

I know you two don’t get along. But why would Wyatt change with you because of Prue?

Jessica stands.

JESSICA

Why? She has always been between the two of us.

ELLA

That’s not true. They are cousins.

Jessica gets serious and swallows. She feels like she has talked too much.

JESSICA

I mean as a cousin, Ella, of course.

(calmer)

Her problems are affecting Wyatt more than it was supposed to.

ELLA

How so?

JESSICA

I don’t know how to explain, but ---

ELLA

Jess ---

Jessica sits.

ELLA (CONT'D)

--- I don’t know what’s going on between the two of you, but don’t blame Prue for your issues. Try to solve it together.

JESSICA

I’m trying, but you saw what he did. He orbed out.

ELLA

My husband orbed out too. He’s having problems too.

JESSICA

Your husband kissed you goodbye before leaving.

(pauses)

Mine didn't.

Jessica looks away.

ELLA

Have patience, Jess. I must go to work now.

Ella walks out of the kitchen. Jessica’s expression hardens.

JESSICA

(to herself)

If you only knew!

(pauses)

In my new memories, Wyatt is a passionate lover. In this reality, I haven’t experience that.

ON JESSICA - She is serious.

CUT TO:

EXT. HALLIWELL’S - DAY

STOCK.

CUT TO:

INT. HALLIWELL’S - DINING ROOM / COUNTER - DAY

No one is there but Melinda is by the counter. Her right hand is holding her head as she seems thoughtful. She barely notices as Christopher approaches her.

CHRISTOPHER

Melinda?

She is brought back from her thoughts. Melinda looks at Christopher.

MELINDA

Hey! Something wrong?

Christopher shakes his head.

CHRISTOPHER

Nothing wrong. I just came to tell you that I’m heading to P3 with the beverages.

MELINDA

The beverages?

CHRISTOPHER

Tamora’s engagement party?

Melinda remembers.

MELINDA

Oh, right. The wines and champagne that Sebastian ordered.

CHRISTOPHER

Yeah. Those.

MELINDA

Do that Christopher. Thank you for helping on this.

CHRISTOPHER

I do this with pleasure. It’s my son’s sister, after all.

Melinda smiles.

MELINDA

Are you and Junior okay?

Christopher lowers his gaze.

CHRISTOPHER

He keeps his distance with me. Even when his parents have been opening with me.

MELINDA

I’m sure, he’ll come around.

CHRISTOPHER

Don’t get me wrong, Mel. He’s closer than before, just that ---

(pauses)

--- Sometimes it seems like there’s a part of his life that I’m not part of.

Melinda forces a smile.

MELINDA

I’m sure someday, you’ll be part of his entire life.

Christopher smiles.

CHRISTOPHER

I hope so.

MELINDA

Well, you can head to P3 now. Prue is probably not there. She had an appointment today, but that girl Jo and Bianca, the new manager, will be there.

CHRISTOPHER

Prue has hired a new manager?

MELINDA

It seems so. Apparently, she didn’t like it when Ella and I took care of it last time when she got pregnant.

Christopher laughs.

CHRISTOPHER

I’m sure she just doesn’t want to overwhelm you.

MELINDA

Yeah, it’s probably that.

CHRISTOPHER

See you later.

Melinda nods and smiles. Christopher leaves. As soon as Melinda is alone again, Chris ORBS in. Melinda jumps as she sees him orbing in.

MELINDA

Chris!

Melinda looks around.

MELINDA (CONT'D)

Are you crazy orbing in like that in here?

CHRIS

I was paying attention. I heard when Christopher left and the others are in the
kitchen.

MELINDA

Still. No one here knows about magic.

CHRIS

And no one will. But I just needed to talk to you.

MELINDA

Couldn’t you just use the door! God, sometimes I understand why Prue is anti-orbing or beaming at the condo.

CHRIS

This isn’t Prue’s condo. This is your restaurant and I need my sister’s ear.

MELINDA

Mum is still the owner, I’m just the manager and why do you need my ear? I thought your deepest secrets were Prue’s ear issues!

CHRIS

Not this one.

MELINDA

You’re worrying me, Chris.

CHRIS

Come with me now.

Chris touches Melinda’s hand and ORBS out taking her.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

People going in and out of the hospital.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - BLANCHE’S OFFICE - DAY

ON PRUE - She is lying on the littler. She’s having an ultrasound.

Blanche Dubois moves the transducer over Prue’s belly and the images are being shown on the screen.

Nate is beside Prue holding her hand and the three of them look at it. Nothing relevant can be seen in there.

NATE

Are we really sure Prue is pregnant, Dr. Dubois? I can’t see a thing.

Blanche smiles.

BLANCHE

It’s normal. It’s so soon. Prue is at the most three weeks pregnant. Not more than that.

Blanche looks at Prue.

BLANCHE (CONT'D)

How did you know without even a pregnancy test?

PRUE

I guess I can say I’ve got a feeling.

BLANCHE

Well, your feelings are right. You are 100% pregnant.

Nate and Prue smile. Blanche puts the transducer on its place and takes a tissue to clean Prue’s stomach.

NATE

She also believes that she’s having twins.

Blanche shoots Prue a glance.

BLANCHE

Really?

Prue shrugs.

PRUE

Yeah, girls.

BLANCHE

Wow, Prue, that’s ---

PRUE

Yeah, I know.

BLANCHE

But last time you also had a feeling that it was a girl and Andrew came.

PRUE

I had a feeling that it was a girl?

Prue glances from Blanche to Nate. They both nod.

PRUE (CONT'D)

And I had a boy?

They both nod again.

NATE

And it was the best thing that happened to us. And if you are right this time then we can use those girly things you’ve got for Andrew.

Blanche smiles. Prue is astonished.

PRUE

Right.

BLANCHE

Let’s now talk about some cares you must make, Prue.

Prue gets into a sitting position and fixes her clothes.

BLANCHE (CONT'D)

I know everything went well last time, but it’s still too soon to say how this
pregnancy will go. So, you must take care of stress and stressful situations.

PRUE

Last time everything went well? I didn’t have a risky pregnancy?

Blanche glances at Nate.

NATE

She’s been a little confused lately, Dr. Dubois. We believe it’s because of the hormones.

PRUE

Yeah, that. Blanche, I need to talk to you about a few things.

Prue turns to Nate.

PRUE (CONT'D)

In private.

NATE

But, honey, this concerns the two of us.

PRUE

Please, Nate. It’s woman's stuff.

Prue forces a smile.

PRUE (CONT'D)

Why don’t you, I don’t know, go find Eric and I’ll meet you guys later?!

Nate doesn’t seem to like the idea.

PRUE (CONT'D)

Please.

Prue touches his hand. He looks at it and then looks back at her.

NATE

Fine.

Prue smiles. Then Nate kisses her softly on her lips and leaves the room. Then, Prue turns to Blanche as Blanche looks her back.

PRUE

Okay, Dr. Dubois, ---

Prue puts some emphasis on ‘Dr. Dubois’.

PRUE (CONT'D)

--- We must talk about magic.

Blanche’s eyes wide open as she hears the ‘M’ word. Both of them stare at each other seriously.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. P3 - DAY

STOCK.

CUT TO:

INT. P3 - DANCE FLOOR / BAR - DAY

ON JO BEAMING IN - She brings Bianca.

Jo looks at Bianca.

JO

So, Blanche?

Bianca nods.

BIANCA

She said she’s the White Witch.

JO

Yeah, she is.

BIANCA

But who’s the White Witch? I’ve never heard of it.

JO

Yeah, you don’t remember. We just fought her sister.

BIANCA

We?

JO

Yeah. Ruby turned my mum and dad into the Source and Queen of All Evil. We just got them back when all this happened.

BIANCA

Every day I get a new knot in my head.

JO

Too much information. It would be easier if you’d only remember.

BIANCA

Yeah, well. I don’t. But I guess now we must focus on the party.

JO

Yeah, that’s one thing that hasn’t changed. Tam is engaged to Sebastian in real reality.

BIANCA

Great, let’s give her the engagement party she deserves then.

Jo nods.

OFF TO THE ENTRANCE STAIRCASE - Christopher and a couple of Halliwell’s employees come. The employees carry some boxes.

CHRISTOPHER

Sorry, girls, the door was opened.

Jo and Bianca turn to Christopher.

JO

Hey, Christopher! Yeah, I left it open because I knew you would come at any moment.

Christopher shoots Jo a look.

CHRISTOPHER

You must be Jo, the new waitress.

Jo smiles.

JO

And you are Junior’s father.

Christopher nods. He turns to the employees.

CHRISTOPHER

Take the boxes to the storage room. Then, you can start working here. We must leave this prepared to receive an engagement party.

BIANCA

We’ll be helping with that.

Christopher turns to Bianca.

CHRISTOPHER

The new manager?

BIANCA

Bianca’s my name.

JO

She’s my aunt.

Christopher glances at them both.

CHRISTOPHER

(to Bianca)

Too young for an aunt, huh?

Bianca and Jo exchange glances.

BIANCA

Yeah.

(looks at Christopher)

Sometimes I feel like she came from another time.

Christopher laughs. Then both Bianca and Jo laugh as well.

CUT TO:

EXT. BAY MIRROR - DAY

ON BAY MIRROR SIGN.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

All workers are at their desks. Melissa is also at her desk too.

OFF TO WYATT - He comes from his office and walks towards Melissa’s desk.

WYATT

Melissa?

Melissa raises her eyes from her computer and looks at Wyatt.

WYATT (CONT'D)

Have you got the article about Elsa Matters’ ready?

MELISSA

Working on that boss. I was actually waiting for Chris cause she's coming here for him to take some new pics. The ones we took before came out all wrong.

WYATT

Did they?

MELISSA

Yeah. I guess Chris wasn’t all focused yesterday.

Wyatt is thoughtful.

WYATT

He left home before me. Hasn’t he arrived yet?

MELISSA

No. And he is not answering his phone either.

Wyatt is serious.

MELISSA (CONT'D)

Is everything okay?

WYATT

I don’t know. I’m worried about him.

MELISSA

Well, the two of you seemed weird lately. 

WYATT

I’m okay.

MELISSA

Are you?

Melissa stands.

MELISSA (CONT'D)

Are things okay between you and Jessica?

WYATT

Yeah, why wouldn’t it?

MELISSA

Well, I hope you two last longer than most marriages nowadays. After all, she stole you from me at college.

WYATT

Melissa, she didn’t.

MELISSA

Yes, she did. Luckily, I got over it.

WYATT

Good, because I would hate if one of my friends would hate my wife.

MELISSA

Oh, no, I leave that to Prue. She hates her enough.

WYATT

She doesn’t ---

Wyatt cuts himself off and takes a deep breath.

WYATT (CONT'D)

You know what? Let me know when Chris arrives.

Melissa nods. Wyatt turns around and leaves. He walks into his office. Melissa smiles and gets back to her desk.

CUT TO:

EXT. SAN FRANCISCO - DAY

VIEW at the Golden Gate Bridge.

CUT TO:

EXT. TOP OF THE GOLDEN GATE BRIDGE - DAY

Chris ORBS in bringing Melinda. She looks around.

MELINDA

Oh, what the hell, Chris! You know I have dizziness.

(looks at Chris)

Why do you guys love this place?

CHRIS

That isn’t why I brought you here.

Chris seems worried.

MELINDA

Then, what’s the matter? Ella commented with me the other day that she was worried about you. That you’ve been having some serious nightmares.

CHRIS

I have.

MELINDA

About what?

Chris takes a deep breath.

CHRIS

You know Bianca?

MELINDA

How can I don’t know her? We save her a few days ago from one of the witches in her coven. A Phoenix Witch. How can Prue trust a Phoenix Witch?!

CHRIS

I’m not here to talk about her species, Mel.

MELINDA

Yeah, but why aren’t we doing something to stop that friendship? That evil witch can be making Prue’s head.

CHRIS

No one makes Prue’s head.

MELINDA

Well, she’s doing. I don’t trust her.

CHRIS

Mel, focus.

Melinda gets serious.

MELINDA

Okay, fine. What is it with Bianca?

CHRIS

She’s the one I’ve been dreaming about.

Melinda’s eyes widen.

CHRIS (CONT'D)

It’s always the same.

(remembers his dream)

We are fighting. I and Wyatt. He is ---

Chris looks at Melinda.

CHRIS (CONT'D)

--- Evil.

MELINDA

Wyatt, evil?

Chris nods.

CHRIS

That’s what I feel from him in my dreams. And he kills her.

MELINDA

Maybe he’s not evil, Chris. Maybe you’re having some kind of premonition’s dream.

CHRIS

Premonition? Mel! Prue is the one with premonition’s dream.

MELINDA

Who knows? Maybe you’re getting a new power. Why wouldn’t you? I just found out that I have whitelighter genes. Why wouldn’t you get premonitions in your dreams?

Chris gets thoughtful.

CHRIS

You really think so?

Melinda shrugs.

MELINDA

I think that’s a sign for us to have our eyes wide open and be alert with that Bianca.

Chris and Melinda look seriously at each other.

CHRIS

Yeah, maybe you’re right.

MELINDA

Of course, I am. Tonight at the party. We’ll have our eyes on her, okay?

Chris nods.

MELINDA (CONT'D)

Can you orb me back now or should I call my astral self? I need to check on the catering at Whitmore’s manor.

CHRIS

I orb you there.

Chris touches Melinda’s arm and ORBS out.

OFF TO - Omega and Sigma FADE in.

SIGMA

Are we still waiting for how this is supposed to end?

Omega is serious.

OMEGA

We must get Jared on our side soon. He must stop this insanity.

SIGMA

Then?

Sigma looks at Omega.

SIGMA (CONT'D)

Does it mean that we’ll be intervening? 

OMEGA

Not that much. We don’t want to attract the Halliwells attention, but ---

SIGMA

But?

Omega looks at Sigma.

OMEGA

We can help a little.

Sigma smirks.

CUT TO:

INT. UNDERWORLD - JARED'S CAVE - DAY

Jessica is pacing the place as Jared is still staring at her.

JESSICA

It’s just so annoying! He hasn’t been able to have sex with me. Can’t you explain why, Jared?

JARED

Jess, you must calm down.

JESSICA

Calm down how? He was supposed to love me in this reality.

Jessica turns to Jared.

JESSICA (CONT'D)

You spent years in the Demonic Wasteland. Didn’t you get some power there to make him love me?

Jared rolls his eyes.

JARED

Jess, I changed this whole reality. Isn’t that enough?

JESSICA

No, it’s not. I want Wyatt to love me. To desire my own body. To not think in Prue.

JARED

Dear sister, I gave you the life you wanted. Wyatt is yours. The rest is up to you.

JESSICA

The rest I must have it. If you have any plan to end Prue once and for all, do it fast.

JARED

I’m working on that. But I can’t make him love you. That’s not one of the powers I have. That’s up to you.

JESSICA

If he and I don’t do it, I won’t have a child. An heir. The Halliwell heir you always wanted.

JARED

I know.

Jared walks towards her.

JARED (CONT'D)

I’ll find something to make him feel desire for you.

JESSICA

When?

JARED

Have patience. I heard of someone a long time ago. Before I went to hiding. Maybe I can get a potion or something.

JESSICA

A potion or something? I can make a potion or something. I’m half-witch.

JARED

You must not forget that you are an ordinary witch for them.

JESSICA

I know. I’ve taken the potion you gave me to stop others from having visions about me.

JARED

Great. Now, yes, I’ll get a potion or something. Not any potion can make a guy feel a strong desire towards a woman. But I might know the right person. Of course, I’ll have to give something in exchange, but I’ll do it.

JESSICA

When?

JARED

(irritated)

Have patience, Jessica!

Jessica takes a deep breath.

JESSICA

I must go now. I have an engagement party tonight and I must look perfect.

JARED

You better be. Maybe you won’t need the potion that bad.

Jessica rolls her eyes and then SHIMMERS out. Jared takes a deep breath.

JARED

Younger sisters!

SIGMA (O.S.)

They are a nightmare, aren’t they?

Jared turns around and sees as Sigma FADES in.

JARED

Sigma?

Sigma smiles.

JARED (CONT'D)

I’m not ready to join you guys yet.

SIGMA

Time is ticking, Jared. You are one of us already. I don’t know how you did to change the whole reality and remain one of us, but you are.

JARED

I’m very clever, Sigma.

SIGMA

I know you are. We thought you were only powerful, but in the end, you were more clever as well.

(pauses)

We know you killed Delta.

JARED

If you know what happened to Delta, then you must know that it wasn’t me.

SIGMA

You were the mind behind the plan, Jared. Your sister was the executor.

Jared smiles.

SIGMA (CONT'D)

We’ll be waiting for when you are ready to undo this and join us.

JARED

Undo this?

Jared laughs sarcastically.

JARED (CONT'D)

I won’t undo this.

SIGMA

You know what happened when Cole Turned became one of us?

JARED

I was a kid back then, but yes, I’ve heard.

SIGMA

Then, you must be aware of the consequences.

JARED

As you said, Sigma, I’m still an Avatar. I won’t have the same fate Cole Turner had. He made a mistake. I won’t.

SIGMA

As you wish, Jared. Don’t say we didn’t warn you.

Sigma nods and FADES out. Jared is serious.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - BLANCHE’S OFFICE - DAY

Blanche is at her desk. Prue is across the desk. Blanche seems astonished.

BLANCHE

I really don’t know what you are talking about, Prue. Magic?

PRUE

Oh, c’mon, Blanche! You are the White Witch.

Blanche’s eyes widen.

PRUE (CONT'D)

Don’t look so surprised. I know what I’m saying. God, we just put your sister back in the tower.

Blanche’s eye widen even more. Prue gets thoughtful.

PRUE (CONT'D)

Oh my God, Ruby!

BLANCHE

How do you know my sister?

Prue looks at her.

PRUE

You must make sure your sister is still locked in the tower.

BLANCHE

Of course, she is.

(cuts herself off)

I mean, Prue, how do you ---

PRUE

The same way you know who I am. I am a witch, Blanche.

Blanche takes a deep breath.

BLANCHE

Fine. I know who you are. I guess it wasn’t a coincidence that I was hired here and got to be your obstetrician.

Prue smiles.

PRUE

Thank you. Now, all this new reality we are living in is fake.

BLANCHE

What?

PRUE

Yeah. I’m not married to Nate and my firstborn is a girl, not a boy.

BLANCHE

Of course, it is a boy, Prue. I was there to help you bring him to this world last November 4th.

PRUE

November 4th? The day isn’t even the right one. Tina was born on October 31st.

BLANCHE

Who’s Tina?

Prue rolls her eyes.

PRUE

Okay, this is taking too long. You can see things, right? Things that haven’t happened and some that already did.

BLANCHE

Kinda. It comes just like flashes. It can’t even be called clairvoyance. 

PRUE

I know, but it works for me.

Prue reaches out her hands over the desk.

PRUE (CONT'D)

Give me your hands.

Blanche looks at Prue’s hand.

PRUE (CONT'D)

C’mon, Blanche. It’ll be quicker.

Blanche takes a deep breath and then holds Prue’s hands. Then Prue focuses and ---

ON BLANCHE’S EYES - They turn into white as she is taking into Prue’s mind.

ON PRUE’S EYES - The are closed.

Moments after, both women get back to reality. Blanche’s eyes turn to normal while Prue opens hers. They let go of each other’s hand.

Both women look seriously at one another.

BLANCHE

My God!

PRUE

Yeah. Those are the memories I have.

BLANCHE

But how?

PRUE

Because it is what it is, Blanche. This reality is fake.

BLANCHE

But the memories I have.

PRUE

Look, first, you must make sure your sister is in the tower. I don’t know if who changed reality altered what happened. maybe Jannes released Ruby and she’s out there.

(pauses)

Oh, God. If she is ---

Prue’s eyes widen.

PRUE (CONT'D)

She can work his evil again and turn me and Wyatt into the Source and Queen of All Evil.

BLANCHE

My God.

PRUE

Jannes! He must be alive.

BLANCHE

The Dark Wizard?

PRUE

He released your sister a long time ago.

Blanche stands.

BLANCHE

Okay, I think I must check on my sister.

PRUE

Good, I must check if Jannes is alive. He can help us. We are going to need all the help we need.

BLANCHE

Prue?

Prue stands and looks at her.

BLANCHE (CONT'D)

All that I saw in your mind ---

(swallows)

--- It’s this life a lie?

Prue nods yes.

BLANCHE (CONT'D)

What if you believe it is, but it’s not?

PRUE

Trust me, Blanche. This is not our reality.

BLANCHE

Okay. I ---

(nervous)

--- I need to check on Ruby. It’s been centuries since I went there.

PRUE

Yeah, do that.

And just like that, Blanche WHITE SMOKES out. Prue takes a deep breath.

PRUE (CONT'D)

I truly hope she’s in the tower.

ON PRUE - She is serious.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - MEETING ROOM - DAY

Melissa comes in followed by a middle-aged woman, ELSA MATTERS. Chris also comes in.

MELISSA

Thank you for coming here, Mrs. Matters.

ELSA

It’s okay. I was in the neighborhood.

CHRIS

I’m sorry, the pics came out wrong, Mrs. Matters. They seemed okay, but when I printed them, there was some kind of a blur behind you.

ELSA

You don’t have to explain, Mr. Halliwell. I can understand completely. Just tell me what to do.

CHRIS

Just be natural. Sit there and we take some pics of you.

Elsa smiles and sits on one of the chairs. Chris starts taking pictures of her.

MELISSA

The article about you is almost ready. It will do the cover of next month’s magazine.

Elsa smiles.

ELSA

I can’t wait to read it.

MELISSA

You’ve done good things for this town, Mrs. Matters. All the people you’ve helped.

Elsa smiles big.

ELSA

I never had kids, so sometimes I feel like I have to take this town into my arms.

CHRIS

You are a good person, Mrs. Matters.

Elsa smiles big again.

MELISSA

Yeah.

OFF TO A SHADOW - It appears behind Elsa. An ANGEL OF DEATH appears behind Elsa.

ON CHRIS - He stops taking pictures. His expression hardens. He stares at the female Angel of Death.

ANGEL OF DEATH

(to Chris)

Great, now you can see me!

The Angel of Death rolls her eyes.

ON CHRIS - He is serious.

CUT TO:

EXT. SAN FRANCISCO - DAY

VIEW at the Golden Gate Bridge.

CUT TO:

INT. MAGIC SCHOOL - CORRIDOR - DAY

Prue BEAMS in. She looks around and then takes her left when ---

CHARLOTTE (O.S.)

Prue?

Prue turns around and sees Charlotte coming out from one of the classrooms.

PRUE

Hey, sis!

CHARLOTTE

What are you doing here? Came to see Andrew?

PRUE

Andrew?

CHARLOTTE

Your son!

PRUE

Yeah, I know who Andrew is, but no. I’m here for other reasons. I need to check something on the Library.

CHARLOTTE

Can I help with that?

PRUE

No, no need to. I know what I’m looking for. Thank anyway.

Prue turns to her left.

CHARLOTTE

Prue?

ON PRUE’S FACE - She grimaces.

Prue turns around.

PRUE

Yeah?

CHARLOTTE

The library is in that direction.

Charlotte points to her right.

PRUE

Yeah, I don’t mean that library.

CHARLOTTE

What library do you mean then?

PRUE

The secret one.

Charlotte’s eyes widen.

PRUE (CONT'D)

Yeah, I know about that.

CHARLOTTE

But how?

PRUE

I don’t have time to explain.

Prue turns around and almost runs into Alex.

ALEX

Hey, Prue.

PRUE

Sorry, Alex!

ALEX

What are you doing here?

PRUE

Why? Can’t I come here?

ALEX

Of course, you can, but you normally don’t come here.

Prue glances from Alex to Charlotte.

PRUE

I’m here to check on something on the library, I don’t need help and I don’t have time to explain. So, can I?

Alex and Charlotte exchange glances.

ALEX

The library is in the ---

PRUE

Opposite direction, I know. I heading to the other library.

MICHAELA (O.S.)

Alex?

They all turn around and see Michaela coming from the same classroom Charlotte came.

PRUE

Michaela?

Michaela looks at Prue. Her expression gets fearful.

MICHAELA

You?

PRUE

What is she doing here?

Michaela starts feeling breathless.

MICHAELA

She ---

Alex and Charlotte run towards Michaela who keeps her glance on Prue.

MICHAELA (CONT'D)

She’s --- 

ALEX

Michaela, what’s wrong?

MICHAELA

She is ---

(pauses)

--- The Queen ---

Alex and Charlotte look at Prue.

CHARLOTTE

Have you seen her before?

Prue looks at Michaela.

PRUE

(lying)

No.

MICHAELA

She’s evil.

ALEX

Michaela, that’s my cousin Prue.

MICHAELA

She’s the Queen.

Prue frowns.

PRUE

I could be, but I’m not, darling.

They stare at Prue.

PRUE (CONT'D)

Not in this mad reality anyway.

Prue is about to turn around but stops and looks at Alex.

PRUE (CONT'D)

By the way, Alex, how did your mother come into our lives again?

Alex finds the question weird.

ALEX

Huh, she just was allowed to.

Prue nods.

PRUE

Of course.

Prue turns around as well and walks down the corridor until she turns left and is not seen.

Charlotte and Alex help Michaela.

CHARLOTTE

Come, Michaela. Let’s get you some water.

MICHAELA

That woman ---

Michaela looks at where Prue went then turns to them. She relaxes.

MICHAELA (CONT'D)

She ---

CHARLOTTE

She’s my sister, Michaela. Not evil. Never was.

ALEX

Maybe you are confusing her with someone else.

Michaela looks at Alex.

MICHAELA

Yeah, maybe.

CHARLOTTE

Come.

All three of them walk out of there.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. MAGIC SCHOOL - SECRET LIBRARY - DAY

ON THE DOORS - They wide open.

Prue comes through.

PRUE

Librarian!

No one shows up.

PRUE (CONT'D)

Come out, come out, my friend. I know you are here.

The doors close behind Prue. She looks back and then forward.

PRUE (CONT'D)

Librarian, I need your help.

OFF TO THE LIBRARIAN - He comes in.

Prue smiles.

LIBRARIAN

Prue Halliwell! How come you are here?

PRUE

You helped me once. I need your help again.

The Librarian doesn’t understand. They stare at each other.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - MEETING ROOM - DAY

Chris and Melissa are there. Chris is pacing the room.

MELISSA

Angel of Death?

CHRIS

Yeah, I saw her behind Mrs. Matters.

MELISSA

What does an Angel of Death do?

Chris stops and stares at Melissa.

CHRIS

Seriously?

MELISSA

Yeah, seriously, Chris. It’s not because I know the truth about magic that I’m a walking encyclopedia. Sometimes I even regret trying to seduce Wyatt before his wedding. I could have kept my eyes closed for magic.

CHRIS

When an Angel of Death appears, it means that the person is going to die.

MELISSA

What? Who’s going to die? You or Mrs. Matters?

CHRIS

I believe it’s Mrs. Matters. She appeared behind her.

MELISSA

She? The Angel of Death is a she?

CHRIS

There’s a few Angels of Death out there, Melissa.

OFF TO JUNIOR - He ORBS in.

JUNIOR

Okay, I’m here.

CHRIS

(surprised)

What are you doing here?

MELISSA

I called him. I thought we might need some help getting rid of this Angel of Death.

JUNIOR

(astonished)

Angel of Death?

(to Chris)

Did you see an Angel of Death?

CHRIS

Why did Melissa call you?

Junior and Melissa exchange glances.

MELISSA

Oh, well, because ---

JUNIOR

Because ---

MELISSA

Because tonight is his sister’s engagement party and we must make sure everything is okay.

JUNIOR

Right. My sister and Melissa’s distant relative.

MELISSA

I like to call him cousin.

OFF TO THE DOOR - It opens. Wyatt comes in.

WYATT

Hey, I saw Mrs. Matters ---

He cuts himself off when he sees Chris. Wyatt looks at Melissa.

WYATT (CONT'D)

I told you to let me know when he arrived.

CHRIS

I asked her not to.

WYATT

Why?

CHRIS

Look, Wyatt, we are in the middle of something here. We’ll talk later, okay?

Wyatt shoots his brother a look.

WYATT

You are weird and it has something to do with me.

CHRIS

Nothing to do with you, Wyatt. It’s personal stuff.

WYATT

I’m your brother.

CHRIS

(mad)

I know.

Chris breaths in. Junior and Melissa look at them. Wyatt is surprised at Chris’ attitude.

CHRIS (CONT'D)

I just don’t need my brother right now.

Both brothers stare at each other for moments, then Wyatt turns around and leaves the room.

JUNIOR

What the hell was that, Chris?

Chris turns to Junior and Melissa.

CHRIS

Look, we must get to Mrs. Matters before the Angel of Death takes her.

JUNIOR

We’ve been warned not to mess with Angels of Death, Chris.

CHRIS

I’m not going to let her die. Period.

Chris turns around and leaves the room. Junior turns to Melissa.

JUNIOR

Why did you call me?

Melissa shrugs.

MELISSA

It just turns me on when I see you fighting demons.

JUNIOR

It’s an Angel of Death.

MELISSA

Demons, Angels of Death! It’s all the same to me. Let’s go.

Melissa drags Junior out of the room.

CUT TO:

INT. MAGIC SCHOOL - SECRET LIBRARY - DAY

Prue and the Librarian are in front of each other.

LIBRARIAN

Come again?

PRUE

I need to know about Jannes. The Dark Wizard.

LIBRARIAN

I know who Jannes is, what I don’t understand is how you know about him and how do you know about this place?

PRUE

I have my ways. Now, where can I find him? I’ve been in his cave, but there’s no one there. Then I remembered that when Wyatt and I became the Source and Queen, he changed his location.

LIBRARIAN

(astonished)

You and Wyatt became the Source and Queen of what? When?

PRUE

Of all evil, Librarian. What else?

The Librarian’s eyes widen.

LIBRARIAN

You are not making any sense. When did that happen?

PRUE

Not long ago. So? Jannes?

The Librarian takes a deep breath.

LIBRARIAN

He died a few weeks ago.

ON PRUE - Her expression hardens.

PRUE

He died. Wyatt killed him.

LIBRARIAN

It wasn’t Wyatt.

Prue looks at the Librarian.

LIBRARIAN (CONT'D)

Not even I know who killed him.

Prue is serious.

PRUE

What about Darkness?

LIBRARIAN

Darkness?

(pauses)

Prue, how do you know about Darkness? It has been locked for centuries.

PRUE

Ignatius? Leah?

LIBRARIAN

All dead, Prue.

PRUE

By whom?

The Librarian thinks for a while.

LIBRARIAN

I ---

(pauses)

--- I don’t know. That information never was shown in the books.

PRUE

Because they all died at the hands of one of us.

LIBRARIAN

You are not making any sense.

PRUE

No, it all makes sense. Something stopped us from becoming the Destined Ones completely. I must find the event that changed it all.

LIBRARIAN

Prue, you guys are the Destined Ones, powers activated or not.

PRUE

Thanks, Librarian.

Prue turns to leave, but stops and turns around back to the Librarian.

PRUE (CONT'D)

Just another thing.

(pauses)

Jannes’ wand?

LIBRARIAN

No one can touch that wand, Prue.

PRUE

I know. I just want to make sure it’s safe.

LIBRARIAN

It is.

PRUE

Thank you.

Prue turns around and leaves as the Librarian watches her leaving. He is serious.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

People are working there. They are decorating the tables with flower pots. Some others are putting wreaths with flowers all over the place. Jo and Bianca are organizing the champagne glasses and putting them on the counter. Christopher comes from the back.

CHRISTOPHER

Well, girls, I must head to Whitmore manor. I’ll be back with Melinda and the food.

JO

Of course, Christopher.

Christopher heads towards the staircase as Wyatt comes down.

CHRISTOPHER

Wyatt!

WYATT

How are you doing, Christopher?

CHRISTOPHER

Good. Going to your sister now.

Wyatt forces a smile. Christopher leaves. Jo and Bianca see Wyatt coming in. Wyatt glances around then he sees them and approaches them.

WYATT

Hey!

JO

Hey, da ---

(cuts herself off)

--- Wyatt. What are you doing here?

WYATT

I own fifty percent of this place in case Prue hasn’t told you.

JO

Right.

WYATT

Look, is it too much to ask to leave me alone here for a while?

Jo and Bianca exchange glances.

JO

Is everything okay?

WYATT

It will be.

BIANCA

Well, we have to take these people to eat something. They’ve been working nonstop.

JO

I agree.

Bianca comes from behind the counter.

BIANCA

Hey, guys?

The employees turn to Bianca.

BIANCA (CONT'D)

Why don’t we head to the pizzeria down the street and have something to eat?

They all agree.

BIANCA (CONT'D)

Well, let’s go, then.

They start heading out. Wyatt turns to Jo. Jo smiles at him. She reaches out her hand and touches his.

JO

If you ever need to talk, you can count on me, Wyatt.

Wyatt looks at her and smiles.

WYATT

Thank you, whoever you are.

Jo smiles. Then she comes out of the counter and leaves the club following the others. Wyatt sits at one of the tables and looks around. He takes a deep breath.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW all over the town.

CUT TO:

EXT. MRS. MATTERS’ HOME - PORCH - DAY

Chris, Junior, and Melissa approach the front door. Chris knocks on the door.

JUNIOR

Any idea of what are we telling her?

(makes fun)

Hey, Mrs. Matters, we are here to protect you from the Angel of Death.

Chris shoots Junior a look.

JUNIOR (CONT'D)

Kidding.

Chris turns to the door. Junior and Melissa exchange glances. Chris knocks on the door again.

No one answers the door.

MELISSA

Maybe there’s no one at home.

CHRIS

She has a maid. We meet her last time we were here.

MELISSA

Yeah, maybe she gave the day off to the maid. You heard that she planned on doing some shopping to donate clothes to the people staying in the shelters she built.

CHRIS

Yeah, maybe.

SOUND - It seems that it comes from a very distant place, but they heard a woman coughing.

CHRIS (CONT'D)

Are you, guys, hearing that?

Both Melissa and Junior nod. Chris knocks on the door again. Nothing.

CHRIS

We’re orbing in.

Chris ORBS in.

JUNIOR

Chris!

Junior and Melissa exchange glances. Then Junior holds Melissa’s hand and ORBS in as well.

CUT TO:

INT. MRS. MATTERS' HOUSE - LIVING ROOM - DAY

ON ELSA MATTERS - She is on the floor holding her chest with her hands. She’s coughing as she feels pain in her chest.

Beside her, the Angel of Death from before is standing as she watches her.

ON CHRIS - He ORBS in followed by Junior who ORBS in as well bringing Melissa.

The Angel of Death looks at them. Chris and Junior see the Angel of Death.

ANGEL OF DEATH

Why can’t you let me do my job peacefully?

CHRIS

You are not taking her.

Chris rushes to the woman as she lands on the floor unconscious. Quickly, Chris places both his hands over her chest and uses HEALING on her.

ON CHRIS’ HANDS - They GLOW.

ANGEL OF DEATH

Don’t do that?

JUNIOR

Chris, listen to her.

CHRIS

I can’t let her die. 

(whispering)

Not this time.

Junior and Melissa exchange glances. Then they look at Chris.

ANGEL OF DEATH

(to Chris)

You must stop now.

JUNIOR

Chris!

But Chris doesn’t listen to them and ---

BEAT. The woman wakes up and gets into a sitting position.

OFF TO THE ENTRANCE - The maid comes in.

MAID

Mrs. Matters?

They all look at the maid.

CHRIS

Take her out of here fast.

The maid rushes to Elsa and helps her stand. Then she takes her out of there. The Angel of Death looks at Chris.

ANGEL OF DEATH

You don’t know what you’ve done.

Chris stands.

CHRIS

I couldn’t let you take her.

ANGEL OF DEATH

She is on my list.

Melissa whispers to Junior.

MELISSA

Is he talking to the Angel of Death?

Junior nods.

JUNIOR

She’s mad.

The Angel of Death CONJURES his list.

ON ANGEL OF DEATH’S LIST - Several names are on it and one of them is Elsa Matters’. BEAT. The name disappears and is replaced for another name:

Melissa Cooper

The Angel of Death looks at them.

ANGEL OF DEATH

Elsa Matters’ name was on my list.

CHRIS

It isn’t anymore?

ANGEL OF DEATH

(to Chris)

Because of what you did, her name has been replaced. This is a punishment for you.

(pauses)

You cannot cheat death.

The Angel of Death CLENCHES HER HAND and ---

ON MELISSA - She lands on the floor unconscious.

JUNIOR

(worried)

Melissa?!

Chris turns to Melissa and Junior. Then he turns to the Angel of Death.

CHRIS

What did you do?

ANGEL OF DEATH

Now she’s on my list.

Chris and Junior look at the Angel of Death as the ghost of Melissa appears beside her wearing a white robe. Melissa looks at what she’s wearing. Then she looks at her dead body on the floor.

MELISSA

Junior? Chris? 

Melissa looks at Junior and Chris.

MELISSA (CONT'D)

What’s going on?

ANGEL OF DEATH

You are now dead and will be until your friends get Elsa Matters' name into the list again and before I take you to the afterlife.

The Angel of Death disappears using DARK WISPING and taking Melissa with him. As she disappears, she leaves the image of a skull.

JUNIOR

(mad)

What the hell, Chris! Did you have to interfere with the Angel of Death?

Chris is seriously looking at where Death was.

CHRIS

Crap.

ON CHRIS - He is serious.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

No one is there, but Wyatt. He is sitting by the bar.

OFF TO PRUE - She comes in walking down the entrance staircase. As she reaches the bottom, she sees Wyatt there. He looks at her.

PRUE

(surprised)

Hey!

WYATT

Hey!

PRUE

What are you doing here?

Prue walks towards him.

WYATT

I own half of this place, remember?

They stare at each other.

PRUE

That’s one of the things I will never forget.

Wyatt smiles sarcastically.

WYATT

I still remember when you found out.

Prue looks seriously at him.

WYATT (CONT'D)

You got so mad.

PRUE

It was my dream.

Wyatt looks at her.

WYATT

And I wanted to help you to get it.

PRUE

Why?

WYATT

Why there has to be a reason? I just wanted to see you happy.

PRUE

Yeah.

Prue looks around.

PRUE (CONT'D)

It means you and me, huh?!

Wyatt shoots her a look.

WYATT

What did you say?

PRUE

I ---

WYATT

That was exactly what I wanted to write when you were thinking of selling the bar.

PRUE

You didn’t?

Wyatt shakes his head.

WYATT

Jessica thought it would give the wrong idea.

PRUE

Jessica thought, huh?!

Wyatt nods.

PRUE (CONT'D)

Well, I don’t care what she thought. This is my bar ---

(cuts herself off)

--- Half of it at least and I don’t need her opinions in the matters that concern it.

WYATT

Why do you hate Jessica so much?

PRUE

The same reason you hate Nate.

WYATT

I don’t ---

Prue shoots him a look. Wyatt sighs.

WYATT (CONT'D)

I don’t know why I hate Nate, I just do.

PRUE

Well, same here.

Prue looks around. The bar is fully decorated.

PRUE

They’ve been working hard.

WYATT

Yeah. They went for a pizza.

PRUE

It reminds me of my own engagement party.

Prue looks at Wyatt as he looks her back.

WYATT

I wasn’t present. As you weren’t in mine.

Wyatt smiles sarcastically again.

WYATT

We almost got engaged almost the on same day, we almost married on the same day.

PRUE

Did we?

Wyatt shoots her a look.

PRUE (CONT'D)

I mean, we really did.

Prue approaches Wyatt and both of them get face to face.

PRUE (CONT'D)

What happened for us to get so distant from each other?

WYATT

I don’t know.

PRUE

We could make a great team together.

WYATT

The two of us? Prue, we caused a major electrical short circuit that caused the fire.

PRUE

What fire?

WYATT

The fire that burned P3 almost entirely.

PRUE

Oh, that fire! We caused it, huh?

WYATT

Yes, simply because we couldn’t decide if we changed the beverage suppliers or not.

PRUE

We fought over that?!

WYATT

Don’t you remember?

PRUE

Oh, you know, I almost forgot the reason behind it.

They look into each other’s eyes.

PRUE (CONT'D)

It could have been different, Wyatt.

WYATT

I know.

PRUE

It still can.

WYATT

What do you mean?

PRUE

It would be so much easier if you just remember.

WYATT

Remember what, Prue?

They keep staring into each other. Prue swallows. She forces a smile.

PRUE

Nothing.

She steps back.

PRUE (CONT'D)

I got an ultrasound earlier today.

WYATT

You did?

Prue smiles and nods. She takes Wyatt’s hand and takes it to her belly.

PRUE

They are coming, Wyatt.

Wyatt looks at her and smiles.

WYATT

I can’t feel the baby, Prue.

PRUE

Babies. Peri and Patience.

Wyatt looks at Prue’s belly.

WYATT

Are you sure they are twins?

Prue nods.

SOUND - TEXT MESSAGE.

Wyatt takes back his hand and takes the phone from his pocket. He reads the message and gets nervous.

WYATT

Oh, it’s huh ---

PRUE

Who?

Wyatt looks at Prue.

WYATT

Jessica. She wants me to choose her dress for tonight.

PRUE

Does she?

Wyatt nods.

WYATT

None of them are appropriate for the event.

PRUE

Is it so? Let me see.

And without thinking twice, Prue takes the phone from Wyatt’s hands and sees the pictures Jessica’s sent.

ON PHONE’S SCREEN - Both pictures Jessica sent are of her wearing some short dresses; one black and the other one red.

PRUE (CONT'D)

Oh, the slut.

Wyatt shoots her a look. Prue is mad as she keeps staring at the photos.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. MRS. MATTERS HOUSE - LIVING ROOM - DAY

ON MELISSA’S BODY - It is placed on the couch.

After Junior places Melissa’s body carefully on the couch, he turns to Chris who stands still.

JUNIOR

Any idea of how are we going to fix this?

Chris nods no.

OFF TO THE ENTRANCE - Ella and Pandora come in.

ELLA

Well, both of them took tea which is going to make them sleep for a couple of hours.

PANDORA

Yeah, so we have a couple of hours to fix this. I won’t make it to my hairdresser's appointment, but my sister won’t postpone her engagement party tonight.

JUNIOR

Have you told her?

PANDORA

No. I wouldn’t know how to say that her future husband’s cousin is dead.

CHRIS

She’s not dead. We are going to fix it.

ELLA

Chris, what were you thinking when you healed that woman? We’ve been warned that we should not mess with the Angel of Death.

JUNIOR

Yeah, now look what happened!

CHRIS

(mad; out loud)

Enough.

Chris glances around.

CHRIS (CONT'D)

I just need to think okay. There is a lot in my mind right now.

ELLA

Chris ---

CHRIS

I need to be alone for a while.

And just like that Chris ORBS out.

PANDORA

What’s wrong with him?

ELLA

He’s been weird lately. He’s been having some nightmares that have been affecting his mood and the way he is acting.

PANDORA

A demon?

ELLA

I don’t know. I just know that we must fix this now and then we try to help Chris.

PANDORA

Well, not then. Tomorrow probably. We have an engagement party tonight.

JUNIOR

We might have a funeral if we don’t get Melissa back.

They all exchange glances.

CUT TO:

INT. WHITMORE MANOR - KITCHEN - DAY

People are working there putting some food into some boxes. Melinda is there guiding them.

MELINDA

Be careful, guys. Everything needs to arrive at P3 in perfect conditions.

OFF TO CHRISTOPHER - He comes in.

CHRISTOPHER

Mel, the cake is already on the van.

MELINDA

Great, Christopher. Now we need all this food in the van too.

CHRISTOPHER

You heard the boss, guys. Let’s get this on the van.

The workers start taking boxes out of the kitchen. Christopher takes one of the boxes and walks out.

SOUND - PHONE RINGING.

MELINDA

That would be mine.

Melinda answers the phone.

MELINDA (CONT'D)

(on the phone)

Hey, Ella. What’s up? I’ll be home as soon as possible to get your hair done.

(pauses)

What? How come? No kidding!

(pauses)

Okay, don’t worry, I won’t let Tam know what’s going on. Are you guys sure you can fix it?

(pauses)

Okay. Let me know when it’s done. We’re heading to P3 now with the food.

(pauses)

Bye.

Melinda hangs off the phone.

TAMORA (O.S.)

What is it that I cannot know?

Melinda turns around and Tamora is looking seriously at her with her arms crossed. They stare at each other seriously.

CUT TO:

EXT. SAN FRANCISCO - DAY

FAST MOTION VIEW of the town.

CUT TO:

EXT. HALLIWELL / COOP MANOR - PHOEBE & COOP’S BEDROOM - DAY

No one is there.

ON OMEGA - He FADES in.

Omega glances around. Then he closes his eyes and WAVES his hand.

OMEGA

Show me where is it!

It sounds like a command.

ON BEDSIDE TABLE - One of the drawers opens.

Omega opens his eyes and looks at the drawer. Omega smiles.

ON THE DRAWER - A solitaire ring comes out LEVITATING.

Omega looks at the ring and smiles.

OMEGA (CONT'D)

(to himself)

One of the advantages of being an Avatar is that we live outside time and space.

He walks towards the bedside table and grabs the solitaire ring. Then Omega FADES out.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ BEDROOM - DAY

No one is there. Omega FADES in. He glances around. Then walks towards one of the bedside tables and puts the ring on it.

ON OMEGA - He smirks.

Then, he SENSES something and FADES out immediately.

ON CHRIS - He ORBS in.

Chris seems shattered. Tired. He sits on the edge of the bed and buries his face between his hands.

CHRIS

Oh, God!

Then he lies down on the bed.

CHRIS

What have I done?!

SOUND - Distant voices; Chris hears them.

VOICES

CHRIS

‘BIANCA. NO, NO, NO.’ 

BIANCA

‘Haven’t we been here before?’

CHRIS

‘Maybe we will be again.’

BIANCA

‘Maybe.’

Chris gets into a sitting position.

CHRIS

Why is this nightmare haunting me?! I never saw her before.

(pauses)

Never.

Chris is about to stand and then ---

ON SOLITAIRE RING - It is on the bedside table next to him.

CHRIS

What’s this?!

Chris reaches out his hand and picks it up in his hand. He looks at it as some images flash into his mind.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - DARK FUTURE - ALTERNATED REALITY

Bianca, who has landed on a broken table leg, hands her engagement ring to Chris.

BIANCA

If you can finish what we started ---

She is in so much pain.

FLASHES BACK TO:

INT. HALLIWELL MANOR - CHRIS’ BEDROOM - DAY

Chris keeps looking at the ring as he comes back from his faraway memories.

CHRIS

(astonished)

It is the same ring.

Chris closes his wrist holding the ring strongly.

CHRIS (CONT'D)

But how?

Chris seems so confused.

CHRIS (CONT'D)

Prue!

ON CHRIS - He is serious.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - DAY

Prue is sitting by the bar while Wyatt is pacing the room. He seems mad.

ON PRUE - She rolls her eyes.

PRUE

C’mon, Wyatt.

Wyatt stops and stares at her.

WYATT

A slut! You called my wife a slut!

PRUE

Well, I can’t be held responsible for what my mouth and mind think.

WYATT

(mad)

Prue!

PRUE

What? You don’t like Nate either.

WYATT

I have my reasons.

Prue stands. Mad as well as he is.

PRUE

Well, I have my reasons to not like that Jessica either.

WYATT

Which are?

Words try to come from Prue’s mouth, but at that moment, something interrupts her.

SOUND - Phone ringing.

Wyatt gets his phone from his pocket.

PRUE

It must be the slut!

Wyatt shuts her a scolding look.

WYATT

It’s Ella.

PRUE

Oh.

Wyatt picks up his phone.

WYATT

(on the phone)

Hey, El, what’s wrong.

(pauses)

An Angel of Death?

That calls Prue’s attention.

WYATT (CONT'D)

(on the phone)

I --- I don’t know, but why is Melissa dead?

PRUE

Melissa is dead?

Wyatt signs her to wait.

WYATT

(on the phone)

Well, I don’t know. Maybe we can make a deal with him.

(pauses)

Her. Whatever. An Angel of Death is an Angel of Death. How was Chris so stupid to mess up with one?

(pauses)

Yeah, I know he hasn’t been in a good shape lately, but damn, it’s an Angel of Death we are talking about.

(pauses)

Fine. I’ll get to the manor and see what I can find in the Book of Shadows.

Wyatt hangs off the phone.

PRUE

Melissa is dead?

WYATT

Why do you care? You don’t like her either.

Prue gives him a look.

PRUE

She’s not supposed to die.

WYATT

Oh, yeah? How do you suggest we undo that, smart ass?

PRUE

You don’t call me smart ass. Besides, I know how to summon the Angel of Death.

WYATT

(surprised)

You do?

PRUE

Of course, I do. I know the BOS as the palm of my hand.

WYATT

The BOS?

PRUE

Oh, don’t tell me that changed too!

WYATT

Prue!

PRUE

Fine.

(pauses)

There is a spell in the Book of Shadows. To Summon the Angel of Death.

Wyatt stares at her.

PRUE (CONT'D)

I might not be the Prue you, guys, are used to, but one thing won’t ever change.

(pauses)

I know every page of that book.

WYATT

I don’t know what you’re talking about, but that’s true. Aunt Phoebe used to find you locked in the attic reading that book.

Prue smiles.

PRUE

Indeed, she did.

Both of them stare at each other for seconds.

PRUE (CONT'D)

Go, save Melissa, honey.

Wyatt nods. He turns around and then stops.

ON WYATT - He is serious.

Wyatt turns to Prue.

WYATT

What did you just call me?

Prue swallows. She has just realized that he called him ‘honey’.

PRUE

Sometimes I just forget how much I hate you.

WYATT

Sometimes I wish I could remember to hate you too, ---

(pauses)

--- honey.

Then Wyatt ORBS out.

Prue smiles.

PRUE

That’s because you can’t hate me as I can’t hate you either.

OFF TO THE ENTRANCE STAIRCASE - Jo and Bianca come down followed by the staff.

Prue looks at them.

PRUE (CONT'D)

Well, it was about time you decide to come back to work. The food might be on its way here. We have two hours to get everything ready so we can prepare ourselves for tonight.

JO

You heard the boss.

Jo and Bianca approach Prue.

JO (CONT'D)

Did you find dad here?

PRUE

I did.

JO

And?

Prue smiles.

PRUE

Deep down, he loves me. And sooner or later, he’ll remember.

Prue turns around and walks away. Jo and Bianca look at each other.

JO

(in a low voice)

I really hope so. Otherwise, there won’t be a Jo Halliwell in the history of magic.

BIANCA

Let’s get to work.

Jo nods.

CUT TO:

INT. MRS. MATTERS’ HOUSE - LIVING ROOM - DAY - GHOSTLY PLANE

ON MELISSA - She screams all over around.

MELISSA

Junior!

The Angel of Death looks at her from a short distance. She rolls her eyes as Melissa shouts out Junior’s name again.

MELISSA (CONT'D)

Junior!

(complaining)

C’mon! I can’t be dead.

ANGEL OF DEATH

Oh, but you are. You better accept that and come with me.

Melissa looks at the Angel of Death and grimaces.

MELISSA

Come to where?

ANGEL OF DEATH

(naturally)

To the afterlife, where else?

MELISSA

Oh, no, no, no. I’m too young to be dead.

ANGEL OF DEATH

Indeed, it wasn’t your time, but the Halliwells are always messing around with death. They can’t understand that not everyone can be saved. People have their expiration date and when life comes to an end, it is better to move forward.

MELISSA

You said yourself. It wasn’t my time.

ANGEL OF DEATH

This will teach them a lesson.

MELISSA

What am I? A school subject?

ANGEL OF DEATH

Right now, you are a soul who needs to enter the afterlife.

MELISSA

I won’t.

ANGEL OF DEATH

Look, the Halliwells won’t save you unless they get things back on track. But as time means souls waiting for me, I would appreciate if you decide once and for all to come with me. Just let go.

MELISSA

Well, I’m not a quitter. I want to live.

A VORTEX opens up in front of them. Both look at it.

ANGEL OF DEATH

C’mon, let’s go in. I walk you through it.

Melissa stares at the vortex perplexed.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY - NORMAL PLANE

Wyatt is by a table with the Book of Shadows in front of him. He is flipping through it.

WYATT

Sorry, I had to take you out of the trunk, buddy, but my crazy little cousin is sure that there is a spell in here to summon the Angel of Death.

Wyatt is talking to the book as he flips its pages.

WYATT (CONT'D)

I know she knows you better than anyone of us. So, can you please be so gentle and show me where that spell is so I can get Melissa’s back to the living world before it is too late?

ON THE BOOK - Suddenly its pages start moving alone.

Wyatt steps back and stares seriously as the pages move alone. And they stop.

WYATT (CONT'D)

Okay!

OFF TO JESSICA - She walks into the attic. She is wearing the short black dress seen in the photo she sent to Wyatt’s phone.

JESSICA

Hey, you!

Wyatt looks at her.

JESSICA (CONT'D)

I thought I heard your voice.

Jessica looks at the book.

JESSICA (CONT'D)

What’s going on?

WYATT

Melissa is dead and I was trying to find a spell to summon the Angel of Death.

JESSICA

Really? How?

WYATT

Chris saved someone that was supposed to die and the Angel of Death took another life.

JESSICA

And what are you going to do now?

WYATT

Well, no idea, but we must fix it before the party.

OFF TO CHRIS - He comes in a rush.

CHRIS

Hey!

They both look at Chris.

CHRIS (CONT'D)

(to Wyatt)

I’m so glad you are here. I need your help in fixing a mess.

WYATT

Yeah, that’s what I’m doing.

Wyatt takes his smartphone from his pocket and takes a picture from the page where the book stopped.

ON BOOK OF SHADOWS - It shows the page where is the spell to Summon the Angel of Death.

WYATT (CONT'D)

Done.

CHRIS

What is that?

WYATT

A spell to summon Death.

CHRIS

How do you know it was there?

Wyatt is about to say something and then looks at Jessica and stops. Then he looks at Chris.

WYATT

I just knew. Now we must get going.

Chris nods.

WYATT (CONT'D)

And after, you’re gonna have to tell me what the hell is wrong with you.

Wyatt approaches Jessica and kisses her cheek.

WYATT (CONT'D)

Jess, do me a favor.

Jessica looks at him and nods.

WYATT (CONT'D)

Wear a longer dress. Tonight, Tam and Sebastian must be the center of all sights.

JESSICA

What?!

Jessica is astonished as she hears that. Then he approaches Chris. But before orbing out, Wyatt glances around.

ON PEDESTAL - It is in a corner. It seems like it hasn’t been used in a while.

Wyatt smiles.

WYATT

(to Jessica)

Do something for me. See that?

Wyatt points to the pedestal. Jessica follows his glance as well as Chris. Jessica turns to Wyatt.

WYATT (CONT'D)

Get it on the center of this attic and put the book on it, please.

CHRIS

Why is that?

WYATT

I grew up seeing it in there. I don’t even know why it got back on the truck. The book is like a family member for us.

Chris nods agreeing with Wyatt.

WYATT (CONT'D)

Let’s go.

Wyatt and Chris ORB out. Jessica looks at the book. She is serious.

JESSICA

Me? Touching you? Am I that crazy?

Jessica walks towards the table and reaches out her hand. As she is closer to the book, it closes itself immediately.

Jessica grimaces.

JESSICA (CONT'D)

You better stay here until someone gets you back on the trunk.

(pauses)

Now, let's get me a more appropriate dress.

Jessica turns around and leaves the attic annoyed.

CUT TO:

INT. WHITMORE MANOR - KITCHEN - DAY

ON TAMORA - She is serious.

TAMORA

C’mon! You’ve got to be kidding me!

Tamora takes her hands to her hips. Melinda is in front of her with a guilty look.

MELINDA

I’m sorry, Tam. It wasn’t supposed for this to happen.

TAMORA

Of course, it wasn’t.

Tamora turns around irritated. Then she turns to Melinda.

TAMORA (CONT'D)

I swear to God that I’ll kill Chris and then I’ll summon the Angel of Death to bring him back so I can kill him again.

MELINDA

Chris hasn’t been good lately.

TAMORA

And because of that, someone had to die.

MELINDA

He meant well.

TAMORA

Mel, our mothers taught us that it was wrong to mess with Death.

MELINDA

(sarcastic)

Oh, right, now you care about what they taught us.

Tamora rolls her eyes.

MELINDA (CONT'D)

Look, they are working on fixing this. Right now, you have to focus on getting ready for tonight. 

TAMORA

And keeping Sebastian unaware of what happened to his relative.

MELINDA

Yeah, that too.

TAMORA

I can’t believe she’s dead.

SEBASTIAN (O.S.)

Who’s dead?

OFF TO SEBASTIAN - He is standing on the doorway.

Melinda and Tamora turn to him.

TAMORA

(lying)

Dead? No one is dead!

SEBASTIAN

You just said ---

TAMORA

I said that if anything goes wrong Prue and Melinda would be dead because I’d kill them myself. Oh, and I would kill Chris as well.

SEBASTIAN

Why Chris?

MELINDA

He hasn’t been in a good mood lately and Tam thinks that it would blow the party.

SEBASTIAN

Nonsense.

MELINDA

Agree.

SEBASTIAN

Well, Mel, Christopher asked me to tell you that the van is ready to go. They are waiting for you.

Melinda nods.

MELINDA

Great. I still have to get it things ready at P3 before getting ready myself.

Melinda takes her purse from the counter and walks out of the kitchen. Sebastian turns to Tamora.

SEBASTIAN

Finally, just the two of us.

He approaches her and kisses her passionately. At first, Tamora kisses him back, but then Tamora moves away from him.

TAMORA

You should get ready for tonight, honey. And I must too.

SEBASTIAN

We have time.

Sebastian checks the time on his wristwatch.

SEBASTIAN (CONT'D)

It’s four hours until guests start arriving at P3.

TAMORA

Yeah, and we must be in the best way we can be. That’s why I’ve sent the maid to get you a warm bath. Step into the bathtub and relax. I’ll do the same.

Sebastian smiles.

SEBASTIAN

(roguish)

I like that idea.

Tamora gets where he’s going.

TAMORA

Oh, no, Mister. Each one of us will be in a separate bathtub. You’ll be in yours and I’ll be at mine at home.

SEBASTIAN

You live here.

TAMORA

Almost. I’ve got the most of my stuff at my parent’s house.

(pauses)

I’ll get ready there.

SEBASTIAN

But, Tam ---

TAMORA

See you at the party, honey.

Tamora kisses him quickly on the mouth and then leaves the kitchen.

Sebastian takes his hand to his wrist.

SEBASTIAN

Women!

Sebastian takes a deep breath and walks out of the kitchen.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

FAST MOTION AERIAL VIEW all over the town as the day gets darken by the arrival of the night.

CUT TO:

INT. MATTERS’ HOUSE - LIVING ROOM - NIGHT

Wyatt, Chris, Pandora, Junior, and Ella are there.

ON MELISSA’S BODY - It is still lying on the couch. She seems asleep.

Wyatt stares at her. Then he turns to the others.

WYATT

We must move fast before Death takes her to the afterlife.

JUNIOR

(nervous)

Well, what are we waiting for? Let’s cast that spell already!

Pandora looks at Junior. She finds weird that he is so worried about Melissa.

PANDORA

Why are you so nervous?

JUNIOR

Well, why? Because ---

He looks at her.

JUNIOR (CONT'D)

--- We can’t lose her.

Junior glances at them all.

JUNIOR (CONT'D)

She’s our friend.

PANDORA

True, but you seem more nervous than the rest of us.

ELLA

Well, she’s a mortal so, we all should be nervous.

JUNIOR

And our friend.

ELLA

That too.

CHRIS

Let’s cast this spell already.

Wyatt takes his smartphone from his pocket.

ELLA

You took a pic of the spell?

WYATT

Well, what do you wanted me to do? Write it down the way mum and the aunts did back in their time?

Ella shrugs.

WYATT (CONT'D)

C’mon.

Chris, Junior, Pandora and Ella approach Wyatt and look at the screen. They cast the spell to SUMMON THE ANGEL OF DEATH.

WYATT / CHRIS / PANDORA / JUNIOR / ELLA

‘Spirits of Air, Sand, and Sea

Converge to set the Angel free

In the Wind, I send this Rhyme

Bring Death before me before my Time.’

CUT TO:

INT. MRS. MATTERS’ HOUSE - LIVING ROOM - DAY - GHOSTLY PLANE

The Angel of Death is beside Melissa. Both are staring at the VORTEX.

MELISSA

I don’t want to go in there.

ANGEL OF DEATH

You have to.

MELISSA

But I’m not supposed to be dead.

ANGEL OF DEATH

Yeah, well, say that to your friends.

Melissa looks at the Angel of Death.

MELISSA

Please.

The Angel of Death shakes her head as she shoots her a sorry look. Then the Angel of Death takes Melissa’s hand. They both stare again at the vortex.

ON MELISSA’S FACE - A tear runs down her face.

They are about to step forward when the Angel of Death feels something and stops.

MELISSA (CONT'D)

What?

The Angel of Death looks at Melissa.

ANGEL OF DEATH

They’re calling me.

(smiles)

I can’t wait to hear what they have to say.

The Angel of Death let’s go of Melissa’s hand.

ANGEL OF DEATH (CONT'D)

Wait for me here.

The Angel of Death DARK WISPINGS out.

The vortex closes down as Melissa stands there.

CUT TO:

INT. MATTERS’ HOUSE - LIVING ROOM - NIGHT

Wyatt, Chris, Pandora, Junior, and Ella stand there waiting for the Angel of Death to appear.

OFF TO THE ANGEL OF DEATH - She DARK WISPINGS in.

The Angel of Death smirks.

ANGEL OF DEATH

Well, it was about time. I was almost taking your friend into the afterlife.

JUNIOR

So, there’s still time?

ANGEL OF DEATH

Not much. It depends on what you’ve got to say.

WAYTT

We understand that you must do your job, but Melissa wasn’t on your list.

ANGEL OF DEATH

She got into my list as he ---

Death points to Chris.

ANGEL OF DEATH (CONT'D)

--- saved the lady. She was supposed to die.

CHRIS

I’m sorry. I guess I felt I wanted to save everybody.

ANGEL OF DEATH

Death is inevitable. I am inevitable. I don’t do this because I like to. I do it because it’s something everyone has to go through. The end of a circle.

CHRIS

I know. I’m sorry. What can we do to have Melissa’s back?

The Angel of Death is serious.

ANGEL OF DEATH

A life for a life.

WYATT

We can’t kill Mrs. Matters.

ANGEL OF DEATH

You don’t have to. You just have to undo what was done.

CHRIS

How?

ANGEL OF DEATH

You are witches. Come up with a spell.

They all look at one another.

PANDORA

Out of the blue?

ANGEL OF DEATH

You guys are known as the Destined Ones. The Warren Line progeny.

WYATT

Destined Ones? We are not usually called by that name.

ANGEL OF DEATH

Yeah, but that’s what you are. Accept it.

They all exchange glances.

CHRIS

I think I can do it.

They all look at Chris. He closes his eyes. Then he opens them and takes a deep breath.

CHRIS (CONT'D)

(chanting)

‘Powers of Ancestors,

I call upon your help.

Help me save my friend.

Help me undo my mistake.

What is, never was.

What was supposed to be, now is.’

And so, out of nowhere, wind comes into the living room as Mrs. Matters’ body appears on the ground, unconscious. White as chalk. Death.

They all look at it. Melissa’s body is still lying on the couch. Junior looks at her.
The Angel of Death CONJURES her list.

JUNIOR

Why is Melissa still dead?

ON ANGEL OF DEATH’S LIST - Melissa’s name is replaced by Mrs. Matters' name.

The Angel of Death looks at them.

ANGEL OF DEATH

Well done.

The list disappears from the Angel of Death’s hand. Then she snaps her fingers and ---

ON MELISSA FACE - Her eyes WIDEN.

Melissa gets into a sitting position, taking air into her lungs.

Junior runs towards her and holds her face between her hands.

JUNIOR

Are you okay?

Melissa keeps her eyes wide open as she looks at Junior and nods.

Beside the Angel of Death, Mrs. Matters appears as a ghost.

MRS. MATTERS

What’s happening?

The Angel of Death turns to Mrs. Matters.

ANGEL OF DEATH

Your mission on this Earth has been done.

The Angel of Death looks at the others.

ANGEL OF DEATH (CONT'D)

The maid won’t remember a thing. You can leave now that everything is its rightful place.

The Angel of Death looks at Melissa.

ANGEL OF DEATH (CONT'D)

Have a nice and long life, Melissa.

Melissa’s eyes are wide open as the Angel of Death DARK WISPINGS out taking Mrs. Matters. It seems like Melissa could see Death.

WYATT

Well, everything is back to normal.

ELLA

We must leave. There’s an engagement party we must attend to.

They all nod. Chris is serious. Wyatt pats his shoulder and shoots him a supporting glance.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

VIEW all over the town at the sound of ‘Breakeven’ by The Script.

Several places all over the town are being shown.

CUT TO:

INT. UNDERWORLD - CORRIDORS - NIGHT

A woman wearing a long yellow grown with a blue cape with a hood over her head walks at pace.

MUSIC FADES OFF.

OFF TO JARED - He comes following the woman from a short distance.

The woman stops. Jared stops.

JARED

And I thought you wouldn’t notice me.

SLOWLY, the woman turns around. Once she’s standing in front of him, she takes off her hood. This woman has dark hair with blond highlights and dark eyes. She seems like in her twenties. Her skin is pale. She is tall and has a royal posture.

JARED (CONT'D)

Melinoe! What a pleasure to finally meet such an important goddess!

MELINOE

How dare you address to me like that.

JARED

I thought I was being polite.

Melinoe shoots him a look.

JARED (CONT'D)

Should I call you Queen of the Underworld? Demi-Goddess? 

MELINOE

You should not address to me. Period.

JARED

I’m sorry if I caused you any trouble while you were walking peacefully in the dark corridors of the Underworld.

MELINOE

I hate when you paltry creatures address to this place as the Underworld. This is merely the door to the real and one Underworld.

Jared smirks.

JARED

You’d know it more than I do. I wasn’t even born here.

MELINOE

What do you want, Jared?

JARED

You know my name.

MELINOE

I know everyone’s name.

JARED

Of course, you do. And I also know that you’ve spent a long time wandering on this Earth.

Melinoe shoots him a look.

JARED (CONT'D)

I know that you’ve learned a lot.

MELINOE

Don’t make me ask again.

JARED

Sorry, Princess of the Underworld.

Melinoe tries to remain calm.

JARED

Do you like it more?

(smirks)

A Demi-Goddess like you must know a lot of things.

MELINOE

I don’t go by Demi-Goddess anymore.

JARED

Fine. I’ll call you Melinoe then.

MELINOE

You are getting on my nerves, Jared.

JARED

A potion. I want a potion.

MELINOE

Seek for a witch. Do it yourself once you were half-warlock.

JARED

I can’t make a strong love potion.

MELINOE

What makes you think that I can give you such a thing?

Jared walks towards her.

JARED

Your blood.

MELINOE

I’m not the Goddess of love.

JARED

But you know how to make a strong love potion.

Melinoe and Jared stare at each other for seconds.

MELINOE

I don’t work for other beings.

JARED

I’m not asking you to work for me. I’m just asking for a favor.

Melinoe is serious. Jared looks at his wristwatch.

JARED (CONT'D)

Look, I don’t have all night to wait for an answer. I have an engagement party to attend to.

Melinoe takes a deep breath.

MELINOE

I’ll think about it.

Melinoe turns around then looks at Jared over her shoulder.

MELINOE (CONT'D)

Don’t look for me. I’ll find you.

Melinoe puts the hood on and then walks away as Jared watches her leaving.

ON JARED - He is serious.

CUT TO:

EXT. P3 - NIGHT

Some people are going into the club. Music is herd from the outside.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The club is full. There are tables with food. There can be seen Prudence, Piper, Phoebe and Paige as well as Andy, Leo, Coop, Henry, and Christopher. Also, Alex, A.J. and Allen. Everyone wearing nice and elegant clothes.

Next to the counter are Prue, Melinda, and Pandora. The three of them wearing long dresses; black, blue and yellow, respectively.

MELINDA

Well, at least everything ended well.

PRUE

Indeed.

Prue points to someone.

PRUE (CONT'D)

I’m glad to know she’s alive and kicking.

Pandora and Melinda look at where Prue pointed.

OFF TO JUNIOR AND MELISSA - They dance at the sound of the music.

PANDORA

(to Prue)

You are really glad she’s okay? You hate Melissa.

Prue’s eyes widen.

PRUE

Do I?

MELINDA

You hate every girlfriend Wyatt had.

PRUE

True. But I hate his wife more than any girlfriend he had.

MELINDA

Prue!

PRUE

What? I really do! He has such a bad taste for women!

Tamora and Sebastian approach them. Tamora wears a long golden dress.

TAMORA

Prue, Melinda! Thank you. Everything looks so good.

SEBASTIAN

Yes, girls, thank you for this.

MELINDA

It was a pleasure.

Tamora leans over Pandora and whispers something to her.

TAMORA

(to Pandora)

I see Melissa alive.

PANDORA

And kicking.

Chris and Ella approach them too. Ella wears a long green dress.

ELLA

Hey, girls!

MELINDA

Hey!

CHRIS

(to Prue)

Can I talk to you?

PRUE

Sure.

Prue and Chris stare at each other.

CHRIS

Privately.

PRUE

Oh, of course. Follow me.

Prue and Chris walk away.

MELINDA

(to Ella)

Is he feeling better?

ELLA

He’s been quiet since ---

Ella looks at Tamora and Sebastian.

TAMORA

He knows that Melissa died and came back to life.

SEBASTIAN

Yeah, she told me that herself.

ELLA

Great. Well, As I said, Chris has been quiet ever since we’ve got Melissa back. I guess it’s a good sign he wants to talk to Prue.

MELINDA

Well, they tell each other everything so maybe he tells her what’s going on.

Ella nods. Damon approaches them.

MELINDA

Finally, honey!

Damon and Melinda kiss.

PANDORA

Oh, Ethan has arrived.

OFF TO ETHAN - He comes down the entrance staircase.

Pandora walks away and goes to meet him. As they reach each other. They kiss.

OFF TO PRUE AND CHRIS - The head towards the storeroom and sign hello to Eric, Charlotte, and Cassandra. While Eric wears an elegant suit with no tie, Charlotte and Cassandra wear a pink short dress and a purple short dress respectively.

ON CASSANDRA - She rolls her eyes.

CHARLOTTE

Oh, c’mon, Cass. You and Prue have to get over this.

CASSANDRA

I won’t.

Eric and Charlotte exchange glances.

OFF TO WYATT - He watches as Chris and Prue walk towards the storeroom.

Jessica is beside Wyatt. She wears a short dark dress.

JESSICA

(tries to get Wyatt’s attention)

You haven’t said that I look beautiful tonight.

Wyatt looks at her.

WYATT

Well, you do.

JESSICA

I can’t understand why you wanted me to change. You always liked me like this.

WYATT

I do.

Jessica puts her arms around his neck and kisses him passionately.

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

Prue comes in followed by Chris who closes the door behind him. Prue turns to Chris.

PRUE

So? What’s wrong?

Chris seems more nervous.

CHRIS

Just need some answers.

PRUE

Okay!

CHRIS

In this other reality, you told me about a few days ago, is Wyatt Evil?

Prue finds the question weird.

PRUE

Well, he was. And I was also. Both of us were the Source and Queen of All Evil. But my daughters saved us.

CHRIS

Daughters?

PRUE

Why are you asking me this, Chris? You don’t believe it.

CHRIS

I’ve been having some dreams.

PRUE

Dreams about what?

Chris takes a deep breath.

CHRIS

I’m in the attic. Fighting Wyatt and he ---

(pauses)

--- He kills Bianca.

PRUE

What?

CHRIS

Then she gives me a ring and I cast a spell and leave.

PRUE

You are not dreaming about the reality I come from.

(pauses)

You are dreaming about the reality you went back in time to change.

CHRIS

(astonished)

What? Another reality?

PRUE

Another reality that never truly happened. You went back in time to save little Wyatt from becoming evil. Bianca was sent to get you back. Once she did, you and Wyatt fought and she died and gave you the engagement ring you gave her before traveling back in time.

Chris turns around. He seems shattered.

PRUE (CONT'D)

It is true, Chris. You ask my mother about it.

Chris takes his hand to his pants pocket and takes something from it. Then he turns to Prue. He extends his hand towards her.

CHRIS

Is this the ring?

ON CHRIS HAND - He opens it revealing Bianca’s engagement ring on it.

Prue stares astonished at it.

PRUE

How do you have it?

CHRIS

It just appeared in my bedroom.

PRUE

That’s Bianca’s engagement ring.

CHRIS

It can’t be. I’m married to Ella.

Chris puts the ring back in his pocket.

CHRIS (CONT'D)

You forced me to go on a date with her. You should know better than this Bianca and I can’t be.

PRUE

Sure. I know what I know. And I know what’s real and what’s not.

CHRIS

This is insane, Prue.

PRUE

It might be, but it’s the life I want to get back to.

Chris shakes his head and turns to leave. As he goes out of the office, he runs into Wyatt who’s coming in.

WYATT

Hey!

Chris leaves without a word. Wyatt looks at Prue.

WYATT (CONT'D)

Can you explain to me what’s going on?

PRUE

Why should I?

WYATT

Because he’s my brother and I’m worried about him.

PRUE

He will be fine, Wyatt.

They stare at each other for seconds.

WYATT

So ---

PRUE

So ---

WYATT

Your husband is out there telling everyone that you are pregnant.

PRUE

Yeah, we had an appointment today which confirmed why I already knew. I am pregnant. And I told you that earlier today.

WYATT

Yeah, I know. I remember.

PRUE

Good. So, I saw her. Short dress, huh?!

WYATT

Prue, she doesn’t look like a ---

PRUE

A slut? Yes, she does.

WYATT

Well, what can be said about you and your deep V neck dress?

Prue smiles.

PRUE

(pointing to the deep v neck)

Oh, this? Honey, I am pregnant, but my belly is still small, now my bubs. Damn, they look so good. Don’t you agree?

Wyatt’s eyes go to her breast. Prue smiles. Wyatt deviates her glances from it.

PRUE (CONT'D)

Oh, yes, you agree.

Prue approaches Wyatt and touches his torso.

PRUE (CONT'D)

Do you know what’s the difference between your wife and me?

(pauses)

No matter what she wears, she won’t ever stop looking like a slut. While I, no matter what I wear, I will always be a Queen.

OFF TO THE DOOR - It opens and Jessica comes in.

JESSICA

Hey, you two.

Wyatt turns to Jessica. Prue looks at her.

JESSICA

(to Wyatt)

I was looking for you, love.

Prue rolls her eyes.

PRUE

I’m out!

JESSICA

Oh, Prue, what a beautiful black dress.

Prue smiles sarcastic.

PRUE

Thank you. That’s another thing that makes us different.

(pauses)

Black will always look better in me.

Prue smiles big and walks out of the office closing the door almost entirely behind her.

Jessica and Wyatt look at each other.

JESSICA

Well, I didn’t like what she said. So, why do we get even on her doing it here?

WYATT

What?

Jessica walks over Wyatt and kisses him passionately. She starts taking his jacket off.

CUT TO:

INT. P3 - OUTSIDE PRUE’S OFFICE - NIGHT

Prue stands outside her office. She can hear Wyatt and Jessica kissing inside the office.

PRUE

Slut!

Prue WAVES her hands and ---

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

While Wyatt and Jessica keep kissing each other, the shelves there get off their places creating a mess in the office. Wyatt and Jessica stop kissing and glance around.

JESSICA

What the hell?!

Wyatt looks at the door as if he knew that it was Prue’s doing.

CUT TO:

INT. P3 - OUTSIDE PRUE’S OFFICE - NIGHT

Prue smiles big. She walks away and runs into Jo who wears a soft purple short dress.

JO

Mum!

PRUE

Hey!

JO

Has Blanche believed you?

PRUE

She might be somewhere in France trying to find out if what I said it’s true. Have you found out anything?

JO

No much. Just that Melinda and Damon are living together and Junior and Melissa are not even dating.

PRUE

Okay. Well, I have more.

(pauses)

Everyone who’s was dead in our reality is dead here too. The difference is that no one knows who was responsible for their deaths.

JO

Does that leave us any closer to finding out who’s behind this?

PRUE

Right now, we most focus on Tam and Sebastian. At least that hasn’t changed.

Jo nods. They both walk out.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

Bianca comes among the people and runs into Chris. Both look at each other for seconds.

CHRIS

Hey!

BIANCA

Hey!

Ella approaches them and puts his arm around Chris' torso.

ELLA

(to Chris)

I was looking for you, honey.

Ella looks at Bianca.

ELLA (CONT'D)

Hi there, Bianca.

Bianca smiles at her.

ELLA (CONT'D)

(to Chris)

C’mon.

Ella drags Chris out of there. As Chris walks away with Ella, a child stands in front of Bianca and stares seriously at her. This child is not other than eleven years old Matt.

MATT

Time is ticking, mum.

And the boy just banishes. Bianca is astonished.

OFF TO PRUE AND JO - They are by the bar.

CHRISTINA (O.S)

Mum?

Only Prue hears that. She turns around and there is eleven years old Christina staring at her.

PRUE

(surprised)

Tina?

JO

What?

Jo looks at her.

JO (CONT'D)

Prue?

PRUE

Your eleven years old version ---

Prue points towards where the girl is, but Jo sees nothing.

CHRISTINA

Time is ticking, mum. Please save me and Matt.

NATE (O.S.)

Prue?

Prue turns around. Nate kisses her unexpectedly.

NATE (CONT'D)

I was looking for you everywhere.

Prue turns around, but Christina isn’t there anymore. Prue turns back at Nate.

NATE (CONT'D)

Someone wanted to say hi to you.

OFF TO JARED - He is right there standing beside Nate.

JARED

Hello, Prue! Remember me? We’ve barely met once.

PRUE

You are ---

JARED

Jessica’s brother.

Prue takes Prue’s right hand and kisses it.

JARED (CONT'D)

Beautiful as always.

Prue is surprised. Jared let’s go of her hand.

JARED

(to Nate)

Sorry, but I had to compliment your wife.

NATE

It’s okay. I’m used to it.

PRUE

Well, at least you are not as disgusting as your sister.

NATE

Prue!

JARED

(laughs)

I know you two don’t get along.

(to Nate)

Women!

Both men smile. Prue and Jo exchange glances.

OFF TO TAMORA AND SEBASTIAN - They are in the middle of the dancing floor.

Everybody looks at them.

SEBASTIAN

Thank you. Thank you for coming here tonight.

TAMORA

We are very happy that you all can share this moment with us.

SEBASTIAN

Yes. As you guys know, I asked this beautiful woman to marry me.

Tamora smiles.

SEBASTIAN (CONT'D)

And she said yes. Well, we are here to make it official.

Sebastian takes his hand to his jacket pocket and takes a small box from it.

He opens it in front of Tamora. She smiles as she sees the ring inside.

ON RING - It has a big diamond.

SEBASTIAN (CONT'D)

Again. Would you marry me?

Tamora smiles big.

TAMORA

Yes.

They both kiss as people there applaud.

ON OMEGA - He stands in a corner staring at it all. He is serious.

CUT TO:

INT. DARK TOWER - CELL - NIGHT

ON A WOMAN FIGURE - She is lying on the ground wearing a dirty red cloak.

OFF TO THE DOOR - It opens. Blanche comes in wearing a white suit with a white coat.

BLANCHE

Ruby?

The woman on the floor raises her head and yes, it is Ruby. Her eyes seem empty.

RUBY

Hello, sister! Will you come more often this time to make sure I remain locked in here?

BLANCHE

What?

RUBY

Jannes is dead. There’s no one powerful enough to take me out.

(pauses)

Just you.

BLANCHE

When did I put you here, Ruby?

RUBY

What?

BLANCHE

When did I put you inside this tower?

RUBY

I don’t know what you are playing at, sis, but you just got me back in here. I don’t know how many days or weeks have passed, but it wasn’t that long ago that you can forget about it.

ON BLANCHE - She is serious.

BLANCHE

Prue was right.

RUBY

Don’t mention the Queen’s name in front of me. If I ever get out ---

BLANCHE

You won’t get out, Ruby. And just for you to know, outside, reality has changed.

Ruby is serious.

BLANCHE (CONT'D)

But here, everything remains the same.

Blanche and Ruby stare at each other seriously as we ---

CUT TO BLACK.

END OF THE EPISODE